‘Mr Fraser-Sampson has presented readers with a neatly lacquered puzzle-box filled with golden-age trickery, as warm and timeless as crumpets and honey; a murder to curl up by the fire with on a winter’s night.’ –Christopher Fowler, bestselling author of the Bryant and May mysteries
‘comfortingly old school crime fiction with a modern twist’ –Chris Brookmyre, bestselling thriller writer
‘Classy and sophisticated … if you thought the Golden Age of crime writing was dead, then read this.’ –Ruth Dugdall, bestselling crime writer
The third volume of the bestselling Hampstead Murders sees the team become involved with a suspicious death at a crime writers’ convention. Is this the result of a bitterly contested election for the Chair of the Crime Writers’ Association or are even darker forces at work? Peter Collins, who is attending the convention as the author of a new book on poisoning in Golden Age fiction, worries that the key clue to unlock this puzzle may be buried within his own memories. A character called Miss Marple offers her advice, but how should the police receive this? Meanwhile an act of sudden, shocking violence and a dramatic revelation threaten tragic consequences…
Guy Fraser-Sampson is an established writer, having published not only fiction but also books on a diverse range of subjects including finance, investment, economics and cricket. His darkly disturbing economic history The Mess We’re In was nominated for the Orwell Prize.
His Mapp & Lucia novels have all been optioned by BBC TV, and have won high praise from other authors including Alexander McCall Smith, Gyles Brandreth and Tom Holt. The second was featured in an exclusive interview with Mariella Forstrup on Radio 4, and Guy’s entertaining talks on the series have been heard at a number of literary events including the Sunday Times Festival in Oxford and the Daily Telegraph Festival in Dartington.
With Death in Profile he begins a new series entitled The Hampstead Murders. Set in and around the iconic North London village, the first book in the series sees a team of detectives pursuing a serial sex killer while internal politics and a love triangle threaten to destabilise the enquiry. Harking back (sometimes explicitly) to the Golden Age of detective writing, Death in Profile introduces us to a group of likeable central characters whose loves, eccentricities and career ups and downs will be developed throughout the series. Very different from the contemporary model of detective novel, Guy’s innovative style and approach has been endorsed by leading crime writers such as Christopher Brookmyre and Ruth Dugdall.